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2)", "Everything Is Turning to Gold", " Black Limousine", "No Use in Crying", "Pretty Beat Up", " One Hit (To the Body)", "Fight", "Dirty Work", "Had It With You" and "When You're Gone" Taylor has stated that he left the Rolling Stones partly because he was not given co-writing credits on material he felt he should have received credit. Jagger and Richards have shared credits with very few others. On 26 June 2013, the duo's songwriting credits were handed over to BMG, marking the first time they would be managed by an outside company in over 40 years. Mick Jagger stated in his comprehensive 1995 interview with Jann Wenner of Rolling Stone magazine "I think in the end it all balances out." This is comparable to the Lennon–McCartney partnership, who also adhered to a tradition of joint credits even on numbers that were written by just one of the pair. Īlthough most Jagger/Richards compositions have been collaborations, some of the songs credited to the famous partnership have been solo songwriting from either Jagger, whose examples include " Sympathy for the Devil" and " Brown Sugar", or Richards, whose examples include " Happy", " Ruby Tuesday", and " Little T&A". The band's first UK single featuring an A-side Jagger/Richards original was " The Last Time" released in February 1965, it went to number one in the UK and number nine in the US. The earlier "Good Times, Bad Times" had been released as the B-side to their cover of Bobby and Shirley Womack's " It's All Over Now". Released as a single in the US only, peaked at number 24 on the charts there.
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The first original Jagger/Richards song to be released as the A-side of a Rolling Stones single was " Tell Me (You're Coming Back)", from their debut album. They just went in the corner and wrote it and came back!" You know, right in front of their eyes we did it. We came back, and that's how Mick and Keith got inspired to write. We sort of played it roughly to them and they said, "Yeah, OK, that's our style." But it was only really a lick, so Paul and I went off in the corner of the room and finished the song off while they were all still sitting there talking. Mick and Keith heard we had an unfinished song – Paul just had this bit and we needed another verse or something. They wanted a song and we went to see what kind of stuff they did. We were taken down to meet them at the club where they were playing in Richmond by Brian Epstein and some other guy. In 1963 Lennon and McCartney gave the Stones one of their compositions, " I Wanna Be Your Man." In a Playboy interview in 1980, Lennon recalled: Jagger (left) and Richards (right) performing with the Rolling Stones in Stockholm, Sweden, during the No Filter Tour in 2017Īccording to John Lennon, he and Paul McCartney might have been instrumental in inspiring Jagger and Richards to start writing their own material. One of the first songs we came out with was that tune for George Bean, the very memorable "It Should Be You". I think Andrew may have said something at some point along the lines of "I should lock you in a room until you've written a song" and in that way he did mentally lock us in a room, but he didn't literally lock us in. Keith likes to tell the story about the kitchen, God bless him.
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The weird thing is that Andrew found Marianne Faithfull at the same time, bunged it to her and it was a fuckin' hit for her – we were songwriters already! But it took the rest of that year to dare to write anything for the Stones. It was unlike most Rolling Stones material, but that's what happens when you write songs, you immediately fly to some other realm. So what Andrew Oldham did was lock us up in the kitchen for a night and say, "Don't come out without a song." We sat around and came up with " As Tears Go By". Richards agrees that it was Oldham who pressed the pair to write songs after the duo had first emphasized other people's material Oldham noted that there weren't that many obscure great songs out there for the band to cover. Jagger and Richards have different recollections about their first songwriting endeavours but both credit manager Andrew Loog Oldham as the catalyst for their collaboration. Jagger (left) and Richards (right) performing with Brian Jones (middle) and the Rolling Stones in 1967